The Haunted Tram / P. G. Wodehouse

Ghosts of The Towers, The Grange, The Court,

Ghosts of the Castle Keep.

Ghosts of the finicking, "high-life" sort

Are growing a trifle cheap.

But here is a spook of another stamp,

No thin, theatrical sham,

But a spectre who fears not dirt nor damp:

He rides on a London tram.

Damon and Pythias / P. G. Wodehouse

A Romance

Since Earth was first created,

Since Time began to fly,

No friends were e'er so mated,

So firm as JONES and I.

Since primal Man was fashioned

To people ice and stones,

No pair, I ween, had ever been

Such chums as I and JONES.

The Past Theatrical Season / P. G. Wodehouse

And the Six Best Performances by Unstarred Actors

What lessons do we draw from the past theatrical season?

In the first place, the success of The Wanderer proves that the day of the small and intimate production is over and that what the public wants is the large spectacle. In the second place, the success of Oh, Boy!—(I hate to refer to it, as I am one of the trio who perpetrated it; but, honestly, we're simply turning them away in droves, and Rockefeller has to touch Morgan for a bit if he wants to buy a ticket from the speculators)—proves that the day of the large spectacle is over and that what the public wants is the small and intimate production.

On the Writing of Lyrics / P. G. Wodehouse

The musical comedy lyric is an interesting survival of the days, long since departed, when poets worked. As everyone knows, the only real obstacle in the way of turning out poetry by the mile was the fact that you had to make the darned stuff rhyme.

Many lyricists rhyme as they pronounce, and their pronunciation is simply horrible. They can make "home" rhyme with "alone," and "saw" with "more," and go right off and look their innocent children in the eye without a touch of shame.

The Agonies of Writing a Musical Comedy / P. G. Wodehouse

Which Shows Why Librettists Pick at the Coverlet

The trouble about musical comedy, and the reason why a great many otherwise kindly and broadminded persons lie in wait round the corner with sudden scowls, their whole being intent on beating it with a brick the moment it shows its head, is that, from outside, it looks too easy.

My Life As A Dramatic Critic / P. G. Wodehouse

I had always wanted to be a dramatic critic. A taste for sitting back and watching other people work, so essential to the make-up of this sub-species of humanity, has always been one of the leading traits in my character.

I have seldom missed a first night. No sooner has one periodical got rid of me than another has had the misfortune to engage me, with the result that I am now the foremost critic of the day, read assiduously by millions, fawned upon by managers, courted by stagehands. My lightest word can make or mar a new production. If I say a piece is bad, it dies. It may not die instantly. Generally it takes forty weeks in New York and a couple of seasons on the road to do it, but it cannot escape its fate. Sooner or later it perishes. That is the sort of man I am.

The Alarming Spread of Poetry / P. G. Wodehouse

To the thinking man there are few things more disturbing than the realization that we are becoming a nation of minor poets. In the good old days poets were for the most part confined to garrets, which they left only for the purpose of being ejected from the offices of magazines and papers to which they attempted to sell their wares. Nobody ever thought of reading a book of poems unless accompanied by a guarantee from the publisher that the author had been dead at least a hundred years. Poetry, like wine, certain brands of cheese, and public buildings, was rightly considered to improve with age; and no connoisseur could have dreamed of filling himself with raw, indigestible verse, warm from the maker.

A Plea For Indoor Golf / P. G. Wodehouse

Indoor golf is that which is played in the home. Whether you live in a palace or a hovel, an indoor golf-course, be it only of nine holes, is well within your reach. A house offers greater facilities than an apartment, and I have found my game greatly improved since I went to live in the country. I can, perhaps, scarcely do better than give a brief description of the sporting nine-hole course which I have recently laid out in my present residence.

Photographers and Me / P. G. Wodehouse

I look in my glass, dear reader, and what do I see? Nothing so frightfully hot, believe me. The face is slablike, the ears are large and fastened on at right-angles. Above the eyebrows comes a stagnant sea of bald forehead, stretching away into the distance with nothing to relieve it but a few wisps of lonely hair. The nose is blobby, the eyes dull, like those of a fish not in the best of health. A face, in short, taking it for all in all, which should be reserved for the gaze of my nearest and dearest who, through long habit, have got used to it and can see through to the pure white soul beneath. At any rate, a face not to be scattered about at random and come upon suddenly by nervous people and invalids.

In Defence of Astigmatism / P. G. Wodehouse

This is peculiarly an age where novelists pride themselves on the breadth of their outlook and the courage with which they refuse to ignore the realities of life; and never before have authors had such scope in the matter of the selection of heroes. In the days of the old-fashioned novel, when the hero was automatically Lord Blank or Sir Ralph Asterisk, there were, of course, certain rules that had to be observed, but today—why, you can hardly hear yourself think for the uproar of earnest young novelists proclaiming how free and unfettered they are. And yet, no writer has had the pluck to make his hero wear glasses.

Some Aspects of Game-Captaincy / P. G. Wodehouse

To the Game-Captain (of the football variety) the world is peopled by three classes, firstly the keen and regular player, next the partial slacker, thirdly, and lastly, the entire, abject and absolute slacker.

Of the first class, the keen and regular player, little need be said. A keen player is a gem of purest rays serene, and when to his keenness he adds regularity and punctuality, life ceases to become the mere hollow blank that it would otherwise become, and joy reigns supreme.

Disentangling Old Duggie / P. G. Wodehouse

Doesn't some poet or philosopher fellow say that it's when our intentions are best that we always make the worst breaks? I can't put my hand on the passage, but you'll find it in Shakespeare or somewhere, I'm pretty certain.

At any rate, it's always that way with me. And the affair of Douglas Craye is a case in point.

Jeeves Takes Charge / P. G. Wodehouse

Now, touching this business of old Jeeves—my man, you know—how do we stand? Lots of people think I'm much too dependent on him. My Aunt Agatha, in fact, has even gone so far as to call him my keeper. Well, what I say is: Why not? The man's a genius. From the collar upward he stands alone. I gave up trying to run my own affairs within a week of his coming to me. That was about half a dozen years ago, directly after the rather rummy business of Florence Craye, my Uncle Willoughby's book, and Edwin, the Boy Scout.

Tom, Dick, and Harry / P. G. Wodehouse

This story will interest and amuse all cricketers, and while from the male point of view it may serve as a good illustration of the fickleness of woman and the impossibility of forecasting what course she will take, the fair sex will find in it an equally shining proof of the colossal vanity of man.

"It's like this."

Tom Ellison sat down on the bed, and paused.

When Papa Swore in Hindustani / P. G. Wodehouse

"Sylvia!"

"Yes, papa."

"That infernal dog of yours——"

"Oh, papa!"

"Yes, that infernal dog of yours has been at my carnations again!"

My Battle With Drink / P. G. Wodehouse

I could tell my story in two words—the two words "I drank." But I was not always a drinker. This is the story of my downfall—and of my rise—for through the influence of a good woman, I have, thank Heaven, risen from the depths.

The thing stole upon me gradually, as it does upon so many young men. As a boy, I remember taking a glass of root beer, but it did not grip me then. I can recall that I even disliked the taste. I was a young man before temptation really came upon me. My downfall began when I joined the Yonkers Shorthand and Typewriting College.

The Secret Pleasures of Reginald / P. G. Wodehouse

I found Reggie in the club one Saturday afternoon. He was reclining in a long chair, motionless, his eyes fixed glassily on the ceiling. He frowned a little when I spoke. "You don't seem to be doing anything," I said.

"It's not what I'm doing, it's what I am not doing that matters."

It sounded like an epigram, but epigrams are so little associated with Reggie that I ventured to ask what he meant.

The New Advertising / P. G. Wodehouse

"In Denmark," said the man of ideas, coming into the smoking room, "I see that they have original ideas on the subject of advertising. According to the usually well-informed Daily Lyre, all 'bombastic' advertising is punished with a fine. The advertiser is expected to describe his wares in restrained, modest language. In case this idea should be introduced into England, I have drawn up a few specimen advertisements which, in my opinion, combine attractiveness with a shrinking modesty at which no censor could cavil."

An Unfinished Collection / P. G. Wodehouse

A silence had fallen upon the smoking room. The warrior just back from the front had enquired after George Vanderpoop, and we, who knew that George's gentle spirit had, to use a metaphor after his own heart, long since been withdrawn from circulation, were feeling uncomfortable and wondering how to break the news.

Smithson is our specialist in tact, and we looked to him to be spokesman.

"George," said Smithson at last, "the late George Vanderpoop——"

Pillingshot, Detective / P. G. Wodehouse

Life at St. Austin's was rendered somewhat hollow and burdensome for Pillingshot by the fact that he fagged for Scott. Not that Scott was the Beetle-Browed Bully in any way. Far from it. He showed a kindly interest in Pillingshot's welfare, and sometimes even did his Latin verses for him. But the noblest natures have flaws, and Scott's was no exception. He was by way of being a humorist, and Pillingshot, with his rather serious outlook on life, was puzzled and inconvenienced by this.