Many have talked of the zouave: few know him.
Everybody has seen him lazily squatting at the gates of the Tuileries, like a granite sphinx on the threshold of the Assyrian palaces. He is on guard. He performs his duty with a profoundly melancholy air, smoking his pipe with feverish impatience, or, rather, watching with feverish impatience all the while he is smoking his pipe, some ray of our Parisian sunlight, which seems like moonlight when compared with that fierce African sunshine, which pours down upon the head like molten lead.