Yakov Pasinkov / Ivan S. Turgenev

I

It happened in Petersburg, in the winter, on the first day of the

carnival. I had been invited to dinner by one of my schoolfellows, who

enjoyed in his youth the reputation of being as modest as a maiden, and

turned out in the sequel a person by no means over rigid in his

conduct. He is dead now, like most of my schoolfellows. There were to

be present at the dinner, besides me, Konstantin Alexandrovitch Asanov,

and a literary celebrity of those days. The literary celebrity kept us

waiting for him, and finally sent a note that he was not coming, and in

place of him there turned up a little light-haired gentleman, one of

the everlasting uninvited guests with whom Petersburg abounds.

The dinner lasted a long while; our host did not spare the wine, and by

degrees our heads were affected. Everything that each of us kept hidden

in his heart--and who is there that has not something hidden in his

heart?--came to the surface. Our host's face suddenly lost its modest

and reserved expression; his eyes shone with a brazen-faced impudence,

and a vulgar grin curved his lips; the light-haired gentleman laughed

in a feeble way, with a senseless crow; but Asanov surprised me more

than any one. The man had always been conspicuous for his sense of

propriety, but now he began by suddenly rubbing his hand over his

forehead, giving himself airs, boasting of his connections, and

continually alluding to a certain uncle of his, a very important

personage.... I positively should not have known him; he was

unmistakably jeering at us ... he all but avowed his contempt for our

society. Asanov's insolence began to exasperate me.

'Listen,' I said to him; 'if we are such poor creatures to your

thinking, you'd better go and see your illustrious uncle. But possibly

he's not at home to you.'

Asanov made me no reply, and went on passing his hand across his

forehead.

'What a set of people!' he said again; 'they've never been in any

decent society, never been acquainted with a single decent woman, while

I have here,' he cried, hurriedly pulling a pocket-book out of his

side-pocket and tapping it with his hand, 'a whole pack of letters from

a girl whom you wouldn't find the equal of in the whole world.'

Our host and the light-haired gentleman paid no attention to Asanov's

last words; they were holding each other by their buttons, and both

relating something; but I pricked up my ears.

'Oh, you 're bragging, Mr. nephew of an illustrious personage,' I said,

going up to Asanov; 'you haven't any letters at all.'

'Do you think so?' he retorted, and he looked down loftily at me;

'what's this, then?' He opened the pocket-book, and showed me about a

dozen letters addressed to him.... A familiar handwriting, I

fancied.... I feel the flush of shame mounting to my cheeks ... my

self-love is suffering horribly.... No one likes to own to a mean

action.... But there is nothing for it: when I began my story, I knew I

should have to blush to my ears in the course of it. And so, I am bound

to harden my heart and confess that....

Well, this was what passed: I took advantage of the intoxicated

condition of Asanov, who had carelessly dropped the letters on the

champagne-stained tablecloth (my own head was dizzy enough too), and

hurriedly ran my eyes over one of the letters....

My heart stood still.... Alas! I was myself in love with the girl who

had written to Asanov, and I could have no doubt now that she loved

him. The whole letter, which was in French, expressed tenderness and

devotion....

'Mon cher ami Constantin!' so it began ... and it ended with the words:

'be careful as before, and I will be yours or no one's.'

Stunned as by a thunderbolt, I sat for a few instants motionless; at

last I regained my self-possession, jumped up, and rushed out of the

room.

A quarter of an hour later I was back at home in my own lodgings.

* * * * *

The family of the Zlotnitskys was one of the first whose acquaintance I

made on coming to Petersburg from Moscow. It consisted of a father and

mother, two daughters, and a son. The father, a man already grey, but

still vigorous, who had been in the army, held a fairly important

position, spent the morning in a government office, went to sleep after

dinner, and in the evening played cards at his club.... He was seldom

at home, spoke little and unwillingly, looked at one from under his

eyebrows with an expression half surly, half indifferent, and read

nothing except books of travels and geography. Sometimes he was unwell,

and then he would shut himself up in his own room, and paint little

pictures, or tease the old grey parrot, Popka. His wife, a sickly,

consumptive woman, with hollow black eyes and a sharp nose, did not

leave her sofa for days together, and was always embroidering

cushion-covers in canvas. As far as I could observe, she was rather

afraid of her husband, as though she had somehow wronged him at some

time or other. The elder daughter, Varvara, a plump, rosy, fair-haired

girl of eighteen, was always sitting at the window, watching the people

that passed by. The son, who was being educated in a government school,

was only seen at home on Sundays, and he, too, did not care to waste

his words. Even the younger daughter, Sophia, the girl with whom I was

in love, was of a silent disposition. In the Zlotnitskys' house there

reigned a perpetual stillness; it was only broken by the piercing

screams of Popka, but visitors soon got used to these, and were

conscious again of the burden and oppression of the eternal stillness.

Visitors, however, seldom looked in upon the Zlotnitskys; their house

was a dull one. The very furniture, the red paper with yellow patterns

in the drawing-room, the numerous rush-bottomed chairs in the

dining-room, the faded wool-work cushions, embroidered with figures of

girls and dogs, on the sofa, the branching lamps, and the

gloomy-looking portraits on the walls--everything inspired an

involuntary melancholy, about everything there clung a sense of chill

and flatness. On my arrival in Petersburg, I had thought it my duty to

call on the Zlotnitskys. They were relations of my mother's. I managed

with difficulty to sit out an hour with them, and it was a long while

before I went there again. But by degrees I took to going oftener and

oftener. I was drawn there by Sophia, whom I had not cared for at

first, and with whom I finally fell in love.

She was a slender, almost thin, girl of medium height, with a pale

face, thick black hair, and big brown eyes, always half closed. Her

severe and well-defined features, especially her tightly shut lips,

showed determination and strength of will. At home they knew her to be

a girl with a will of her own....

'She's like her eldest sister, like Katerina,' Madame Zlotnitsky said

one day, as she sat alone with me (in her husband's presence she did

not dare to mention the said Katerina). 'You don't know her; she's in

the Caucasus, married. At thirteen, only fancy, she fell in love with

her husband, and announced to us at the time that she would never marry

any one else. We did everything we could--nothing was of any use. She

waited till she was three-and-twenty, and braved her father's anger,

and so married her idol. There is no saying what Sonitchka might not

do! The Lord preserve her from such stubbornness! But I am afraid for

her; she's only sixteen now, and there's no turning her....'

Mr. Zlotnitsky came in, and his wife was instantly silent.

What had captivated me in Sophia was not her strength of will--no; but

with all her dryness, her lack of vivacity and imagination, she had a

special charm of her own, the charm of straightforwardness, genuine

sincerity, and purity of heart. I respected her as much as I loved

her.... It seemed to me that she too looked with friendly eyes on me;

to have my illusions as to her feeling for me shattered, and her love

for another man proved conclusively, was a blow to me.

The unlooked-for discovery I had made astonished me the more as Asanov

was not often at the Zlotnitskys' house, much less so than I, and had

shown no marked preference for Sonitchka. He was a handsome, dark

fellow, with expressive but rather heavy features, with brilliant,

prominent eyes, with a large white forehead, and full red lips under

fine moustaches. He was very discreet, but severe in his behaviour,

confident in his criticisms and utterances, and dignified in his

silence. It was obvious that he thought a great deal of himself. Asanov

rarely laughed, and then with closed teeth, and he never danced. He was

rather loosely and clumsily built. He had at one time served in the

--th regiment, and was spoken of as a capable officer.

'A strange thing!' I ruminated, lying on the sofa; 'how was it I

noticed nothing?' ... 'Be careful as before': those words in Sophia's

letter suddenly recurred to my memory. 'Ah!' I thought: 'that's it!

What a sly little hussy! And I thought her open and sincere.... Wait a

bit, that's all; I'll let you know....'

But at this point, if I can trust my memory, I began weeping bitterly,

and could not get to sleep all night.

* * * * *

Next day at two o'clock I set off to the Zlotnitskys'. The father was

not at home, and his wife was not sitting in her usual place; after the

pancake festival of the preceding day, she had a headache, and had gone

to lie down in her bedroom. Varvara was standing with her shoulder

against the window, looking into the street; Sophia was walking up and

down the room with her arms folded across her bosom; Popka was

shrieking.

'Ah! how do you do?' said Varvara lazily, directly I came into the

room, and she added at once in an undertone, 'There goes a peasant with

a tray on his head.' ... (She had the habit of keeping up a running

commentary on the passers-by to herself.)

'How do you do?' I responded; 'how do you do, Sophia Nikolaevna? Where

is Tatiana Vassilievna?'

'She has gone to lie down,' answered Sophia, still pacing the room.

'We had pancakes,' observed Varvara, without turning round. 'Why didn't

you come? ... Where can that clerk be going?' 'Oh, I hadn't time.'

('Present arms!' the parrot screeched shrilly.) 'How Popka is shrieking

to-day!'

'He always does shriek like that,' observed Sophia.

We were all silent for a time.

'He has gone in at the gate,' said Varvara, and she suddenly got up on

the window-sill and opened the window.

'What are you about?' asked Sophia.

'There's a beggar,' responded Varvara. She bent down, picked up a

five-copeck piece from the window; the remains of a fumigating pastille

still stood in a grey heap of ashes on the copper coin, as she flung it

into the street; then she slammed the window to and jumped heavily down

to the floor....

'I had a very pleasant time yesterday,' I began, seating myself in an

arm-chair. 'I dined with a friend of mine; Konstantin Alexandritch was

there.... (I looked at Sophia; not an eyebrow quivered on her face.)

'And I must own,' I continued, 'we'd a good deal of wine; we emptied

eight bottles between the four of us.'

'Really!' Sophia articulated serenely, and she shook her head.

'Yes,' I went on, slightly irritated at her composure: 'and do you know

what, Sophia Nikolaevna, it's a true saying, it seems, that in wine is

truth.'

'How so?'

'Konstantin Alexandritch made us laugh. Only fancy, he began all at

once passing his hand over his forehead like this, and saying: "I'm a

fine fellow! I've an uncle a celebrated man!"....'

'Ha, ha!' came Varvara's short, abrupt laugh.

....'Popka! Popka! Popka!' the parrot dinned back at her.

Sophia stood still in front of me, and looked me straight in the face.

'And you, what did you say?' she asked; 'don't you remember?'

I could not help blushing.

'I don't remember! I expect I was pretty absurd too. It certainly is

dangerous to drink,' I added with significant emphasis; 'one begins

chattering at once, and one's apt to say what no one ought to know.

One's sure to be sorry for it afterwards, but then it's too late.'

'Why, did you let out some secret?' asked Sophia.

'I am not referring to myself.'

Sophia turned away, and began walking up and down the room again. I

stared at her, raging inwardly. 'Upon my word,' I thought, 'she is a

child, a baby, and how she has herself in hand! She's made of stone,

simply. But wait a bit....'

'Sophia Nikolaevna ...' I said aloud.

Sophia stopped.

'What is it?'

'Won't you play me something on the piano? By the way, I've something I

want to say to you,' I added, dropping my voice.

Sophia, without saying a word, walked into the other room; I followed

her. She came to a standstill at the piano.

'What am I to play you?' she inquired.

'What you like ... one of Chopin's nocturnes.'

Sophia began the nocturne. She played rather badly, but with feeling.

Her sister played nothing but polkas and waltzes, and even that very

seldom. She would go sometimes with her indolent step to the piano, sit

down, let her coat slip from her shoulders down to her elbows (I never

saw her without a coat), begin playing a polka very loud, and without

finishing it, begin another, then she would suddenly heave a sigh, get

up, and go back again to the window. A queer creature was that Varvara!

I sat down near Sophia.

'Sophia Nikolaevna,' I began, watching her intently from one side. 'I

ought to tell you a piece of news, news disagreeable to me.'

'News? what is it?'

'I'll tell you.... Up till now I have been mistaken in you, completely

mistaken.'

'How was that?' she rejoined, going on playing, and keeping her eyes

fixed on her fingers.

'I imagined you to be open; I imagined that you were incapable of

hypocrisy, of hiding your feelings, deceiving....'

Sophia bent her face closer over the music.

'I don't understand you.'

'And what's more,' I went on; 'I could never have conceived that you,

at your age, were already quite capable of acting a part in such

masterly fashion.'

Sophia's hands faintly trembled above the keys. 'Why are you saying

this?' she said, still not looking at me; 'I play a part?'

'Yes, you do.' (She smiled ... I was seized with spiteful fury.) ...

'You pretend to be indifferent to a man and ... and you write letters

to him,' I added in a whisper.

Sophia's cheeks grew white, but she did not turn to me: she played the

nocturne through to the end, got up, and closed the piano.

'Where are you going?' I asked her in some perplexity. 'You have no

answer to make me?'

'What answer can I make you? I don't know what you 're talking

about.... And I am not good at pretending....'

She began putting by the music.

The blood rushed to my head. 'No; you know what I am talking about,' I

said, and I too got up from my seat; 'or if you like, I will remind you

directly of some of your expressions in one letter: "be as careful as

before"....'

Sophia gave a faint start.

'I never should have expected this of you,' she said at last.

'I never should have expected,' I retorted, 'that you, Sophia

Nikolaevna, would have deigned to notice a man who ...'

Sophia turned with a rapid movement to me; I instinctively stepped back

a little from her; her eyes, always half closed, were so wide open that

they looked immense, and they glittered wrathfully under her frowning

brows.

'Oh! if that's it,' she said, 'let me tell you that I love that man,

and that it's absolutely no consequence to me what you think about him

or about my love for him. And what business is it of yours? ... What

right have you to speak of this? If I have made up my mind ...'

She stopped speaking, and went hurriedly out of the room. I stood

still. I felt all of a sudden so uncomfortable and so ashamed that I

hid my face in my hands. I realised all the impropriety, all the

baseness of my behaviour, and, choked with shame and remorse, I stood

as it were in disgrace. 'Mercy,' I thought, 'what I've done!'

'Anton Nikititch,' I heard the maid-servant saying in the outer-room,

'get a glass of water, quick, for Sophia Nikolaevna.'

'What's wrong?' answered the man.

'I fancy she's crying....'

I started up and went into the drawing-room for my hat.

'What were you talking about to Sonitchka?' Varvara inquired

indifferently, and after a brief pause she added in an undertone,

'Here's that clerk again.'

I began saying good-bye.

'Why are you going? Stay a little; mamma is coming down directly.'

'No; I can't now,' I said: 'I had better call and see her another

time.'

At that instant, to my horror, to my positive horror, Sophia walked

with resolute steps into the drawing-room. Her face was paler than

usual, and her eyelids were a little red. She never even glanced at me.

'Look, Sonia,' observed Varvara; 'there's a clerk keeps continually

passing our house.'

'A spy, perhaps...' Sophia remarked coldly and contemptuously.

This was too much. I went away, and I really don't know how I got home.

I felt very miserable, wretched and miserable beyond description. In

twenty-four hours two such cruel blows! I had learned that Sophia loved

another man, and I had for ever forfeited her respect. I felt myself so

utterly annihilated and disgraced that I could not even feel indignant

with myself. Lying on the sofa with my face turned to the wall, I was

revelling in the first rush of despairing misery, when I suddenly heard

footsteps in the room. I lifted my head and saw one of my most intimate

friends, Yakov Pasinkov.

I was ready to fly into a rage with any one who had come into my room

that day, but with Pasinkov I could never be angry. Quite the contrary;

in spite of the sorrow devouring me, I was inwardly rejoiced at his

coming, and I nodded to him. He walked twice up and down the room, as

his habit was, clearing his throat, and stretching out his long limbs;

then he stood a minute facing me in silence, and in silence he seated

himself in a corner.

I had known Pasinkov a very long while, almost from childhood. He had

been brought up at the same private school, kept by a German,

Winterkeller, at which I had spent three years. Yakov's father, a poor

major on the retired list, a very honest man, but a little deranged

mentally, had brought him, when a boy of seven, to this German; had

paid for him for a year in advance, and had then left Moscow and been

lost sight of completely.... From time to time there were dark, strange

rumours about him. Eight years later it was known as a positive fact

that he had been drowned in a flood when crossing the Irtish. What had

taken him to Siberia, God knows. Yakov had no other relations; his

mother had long been dead. He was simply left stranded on

Winterkeller's hands. Yakov had, it is true, a distant relation, a

great-aunt; but she was so poor, that she was afraid at first to go to

her nephew, for fear she should have the care of him thrust upon her.

Her fears turned out to be groundless; the kind-hearted German kept

Yakov with him, let him study with his other pupils, fed him (dessert,

however, was not offered him except on Sundays), and rigged him out in

clothes cut out of the cast-off morning-gowns--usually

snuff-coloured--of his mother, an old Livonian lady, still alert and

active in spite of her great age. Owing to all these circumstances, and

owing generally to Yakov's inferior position in the school, his

schoolfellows treated him in rather a casual fashion, looked down upon

him, and used to call him 'mammy's dressing-gown,' the 'nephew of the

mob-cap' (his aunt invariably wore a very peculiar mob-cap with a bunch

of yellow ribbons sticking straight upright, like a globe artichoke,

upon it), and sometimes the 'son of Yermak' (because his father had,

like that hero, been drowned in the Irtish). But in spite of those

nicknames, in spite of his ridiculous garb, and his absolute

destitution, every one was fond of him, and indeed it was impossible

not to be fond of him; a sweeter, nobler nature, I imagine, has never

existed upon earth. He was very good at lessons too.

When I saw him first, he was sixteen years old, and I was only just

thirteen. I was an exceedingly selfish and spoilt boy; I had grown up

in a rather wealthy house, and so, on entering the school, I lost no

time in making friends with a little prince, an object of special

solicitude to Winterkeller, and with two or three other juvenile

aristocrats; while I gave myself great airs with all the rest. Pasinkov

I did not deign to notice at all. I regarded the long, gawky lad, in a

shapeless coat and short trousers, which showed his coarse thread

stockings, as some sort of page-boy, one of the house-serfs--at best, a

person of the working class. Pasinkov was extremely courteous and

gentle to everybody, though he never sought the society of any one. If

he were rudely treated, he was neither humiliated nor sullen; he simply

withdrew and held himself aloof, with a sort of regretful look, as it

were biding his time. This was just how he behaved with me. About two

months passed. One bright summer day I happened to go out of the

playground after a noisy game of leap-frog, and walking into the garden

I saw Pasinkov sitting on a bench under a high lilac-bush. He was

reading. I glanced at the cover of the book as I passed, and read

_Schiller's Werke_ on the back. I stopped short.

'Do you mean to say you know German?' I questioned Pasinkov....

I feel ashamed to this day as I recall all the arrogance there was in

the very sound of my voice.... Pasinkov softly raised his small but

expressive eyes and looked at me.

'Yes,' he answered; 'do you?'

'I should hope so!' I retorted, feeling insulted at the question, and I

was about to go on my way, but something held me back.

'What is it you are reading of Schiller?' I asked, with the same

haughty insolence.

'At this moment I am reading "Resignation," a beautiful poem. Would you

like me to read it to you? Come and sit here by me on the bench.'

I hesitated a little, but I sat down. Pasinkov began reading. He knew

German far better than I did. He had to explain the meaning of several

lines for me. But already I felt no shame at my ignorance and his

superiority to me. From that day, from the very hour of our reading

together in the garden, in the shade of the lilac-bush, I loved

Pasinkov with my whole soul, I attached myself to him and fell

completely under his sway.

I have a vivid recollection of his appearance in those days. He changed

very little, however, later on. He was tall, thin, and rather awkwardly

built, with a long back, narrow shoulders, and a hollow chest, which

made him look rather frail and delicate, although as a fact he had

nothing to complain of on the score of health. His large, dome-shaped

head was carried a little on one side; his soft, flaxen hair straggled

in lank locks about his slender neck. His face was not handsome, and

might even have struck one as absurd, owing to the long, full, and

reddish nose, which seemed almost to overhang his wide, straight mouth.

But his open brow was splendid; and when he smiled, his little grey

eyes gleamed with such mild and affectionate goodness, that every one

felt warmed and cheered at heart at the very sight of him. I remember

his voice too, soft and even, with a peculiar sort of sweet huskiness

in it. He spoke, as a rule, little, and with noticeable difficulty. But

when he warmed up, his words flowed freely, and--strange to say!--his

voice grew still softer, his glance seemed turned inward and lost its

fire, while his whole face faintly glowed. On his lips the words

'goodness,' 'truth,' 'life,' 'science,' 'love,' however

enthusiastically they were uttered, never rang with a false note.

Without strain, without effort, he stepped into the realm of the ideal;

his pure soul was at any moment ready to stand before the 'holy shrine

of beauty'; it awaited only the welcoming call, the contact of another

soul.... Pasinkov was an idealist, one of the last idealists whom it

has been my lot to come across. Idealists, as we all know, are all but

extinct in these days; there are none of them, at any rate, among the

young people of to day. So much the worse for the young people of

to-day!

About three years I spent with Pasinkov, 'soul in soul,' as the saying

is.

I was the confidant of his first love. With what grateful sympathy and

intentness I listened to his avowal! The object of his passion was a

niece of Winterkeller's, a fair-haired, pretty little German, with a

chubby, almost childish little face, and confidingly soft blue eyes.

She was very kind and sentimental: she loved Mattison, Uhland, and

Schiller, and repeated their verses very sweetly in her timid, musical

voice. Pasinkov's love was of the most platonic. He only saw his

beloved on Sundays, when she used to come and play at forfeits with the

Winterkeller children, and he had very little conversation with her.

But once, when she said to him, 'mein lieber, lieber Herr Jacob!' he

did not sleep all night from excess of bliss. It never even struck him

at the time that she called all his schoolfellows 'mein lieber.' I

remember, too, his grief and dejection when the news suddenly reached

us that Fräulein Frederike--that was her name--was going to be married

to Herr Kniftus, the owner of a prosperous butcher's shop, a very

handsome man, and well educated too; and that she was marrying him, not

simply in submission to parental authority, but positively from love.

It was a bitter blow for Pasinkov, and his sufferings were particularly

severe on the day of the young people's first visit. The former

Fräulein, now Frau, Frederike presented him, once more addressing him

as 'lieber Herr Jacob,' to her husband, who was all splendour from top

to toe; his eyes, his black hair brushed up into a tuft, his forehead

and his teeth, and his coat buttons, and the chain on his waistcoat,

everything, down to the boots on his rather large, turned-out feet,

shone brilliantly. Pasinkov pressed Herr Kniftus's hand, and wished him

(and the wish was sincere, that I am certain) complete and enduring

happiness. This took place in my presence. I remember with what

admiration and sympathy I gazed at Yakov. I thought him a hero!.... And

afterwards, what mournful conversations passed between us. 'Seek

consolation in art,' I said to him. 'Yes,' he answered me; 'and in

poetry.' 'And in friendship,' I added. 'And in friendship,' he

repeated. Oh, happy days!...

It was a grief to me to part from Pasinkov. Just before I left school,

he had, after prolonged efforts and difficulties, after a

correspondence often amusing, succeeded in obtaining his certificates

of birth and baptism and his passport, and had entered the university.

He still went on living at Winterkeller's expense; but instead of

home-made jackets and breeches, he was provided now with ordinary

attire, in return for lessons on various subjects, which he gave the

younger pupils. Pasinkov was unchanged in his behaviour to me up to the

end of my time at the school, though the difference in our ages began

to be more noticeable, and I, I remember, grew jealous of some of his

new student friends. His influence on me was most beneficial. It was a

pity it did not last longer. To give a single instance: as a child I

was in the habit of telling lies.... In Yakov's presence I could not

bring my tongue to utter an untruth. What I particularly loved was

walking alone with him, or pacing by his side up and down the room,

listening while he, not looking at me, read poetry in his soft, intense

voice. It positively seemed to me that we were slowly, gradually,

getting away from the earth, and soaring away to some radiant, glorious

land of mystery.... I remember one night. We were sitting together

under the same lilac-bush; we were fond of that spot. All our

companions were asleep; but we had softly got up, dressed, fumbling in

the dark, and stealthily stepped out 'to dream.' It was fairly warm out

of doors, but a fresh breeze blew now and then and made us huddle

closer together. We talked, we talked a lot, and with much warmth--so

much so, that we positively interrupted each other, though we did not

argue. In the sky gleamed stars innumerable. Yakov raised his eyes, and

pressing my hand he softly cried out:

'Above our heads

The sky with the eternal stars....

Above the stars their Maker....'

A thrill of awe ran through me; I felt cold all over, and sank on his

shoulder.... My heart was full.... Where are those raptures? Alas!

where youth is.

In Petersburg I met Yakov again eight years after. I had only just been

appointed to a position in the service, and some one had got him a

little post in some department. Our meeting was most joyful. I shall

never forget the moment when, sitting alone one day at home, I suddenly

heard his voice in the passage....

How I started; with what throbbing at the heart I leaped up and flung

myself on his neck, without giving him time to take off his fur

overcoat and unfasten his scarf! How greedily I gazed at him through

bright, involuntary tears of tenderness! He had grown a little older

during those seven years; lines, delicate as if they had been traced by

a needle, furrowed his brow here and there, his cheeks were a little

more hollow, and his hair was thinner; but he had hardly more beard,

and his smile was just the same as ever; and his laugh, a soft, inward,

as it were breathless laugh, was the same too....

Mercy on us! what didn't we talk about that day! ... The favourite

poems we read to one another! I began begging him to move and come and

live with me, but he would not consent. He promised, however, to come

every day to see me, and he kept his word.

In soul, too, Pasinkov was unchanged. He showed himself just the same

idealist as I had always known him. However rudely life's chill, the

bitter chill of experience, had closed in about him, the tender flower

that had bloomed so early in my friend's heart had kept all its pure

beauty untouched. There was no trace of sadness even, no trace even of

melancholy in him; he was quiet, as he had always been, but

everlastingly glad at heart.

In Petersburg he lived as in a wilderness, not thinking of the future,

and knowing scarcely any one. I took him to the Zlotnitskys'. He used

to go and see them rather often. Not being self-conscious, he was not

shy, but in their house, as everywhere, he said very little; they liked

him, however. Even the tedious old man, Tatiana Vassilievna's husband,

was friendly to him, and both the silent girls were soon quite at home

with him.

Sometimes he would arrive, bringing with him in the back pocket of his

coat some book that had just come out, and for a long time would not

make up his mind to read, but would keep stretching his neck out on one

side, like a bird, looking about him as though inquiring, 'could he?'

At last he would establish himself in a corner (he always liked sitting

in corners), would pull out a book and set to reading, at first in a

whisper, then louder and louder, occasionally interrupting himself with

brief criticisms or exclamations. I noticed that Varvara was readier to

sit by him and listen than her sister, though she certainly did not

understand much; literature was not in her line. She would sit opposite

Pasinkov, her chin in her hands, staring at him--not into his eyes, but

into his whole face--and would not utter a syllable, but only heave a

noisy, sudden sigh. Sometimes in the evenings we used to play forfeits,

especially on Sundays and holidays. We were joined on these occasions

by two plump, short young ladies, sisters, and distant relations of the

Zlotnitskys, terribly given to giggling, and a few lads from the

military school, very good-natured, quiet fellows. Pasinkov always used

to sit beside Tatiana Vassilievna, and with her, judge what was to be

done to the one who had to pay a forfeit.

Sophia did not like the kisses and such demonstrations, with which

forfeits are often paid, while Varvara used to be cross if she had to

look for anything or guess something. The young ladies giggled

incessantly--laughter seemed to bubble up by some magic in them,--I

sometimes felt positively irritated as I looked at them, but Pasinkov

only smiled and shook his head. Old Zlotnitsky took no part in our

games, and even looked at us rather disapprovingly from the door of his

study. Only once, utterly unexpectedly, he came in to us, and proposed

that whoever had next to pay a forfeit should waltz with him; we, of

course, agreed. It happened to be Tatiana Vassilievna who had to pay

the forfeit. She crimsoned all over, and was confused and abashed like

a girl of fifteen; but her husband at once told Sophia to go to the

piano, while he went up to his wife, and waltzed two rounds with her of

the old-fashioned _trois temps_ waltz. I remember how his bilious,

gloomy face, with its never-smiling eyes, kept appearing and

disappearing as he slowly turned round, his stern expression never

relaxing. He waltzed with a long step and a hop, while his wife

pattered rapidly with her feet, and huddled up with her face close to

his chest, as though she were in terror. He led her to her place, bowed

to her, went back to his room and shut the door. Sophia was just

getting up, but Varvara asked her to go on, went up to Pasinkov, and

holding out her hand, with an awkward smile, said, 'Will you like a

turn?' Pasinkov was surprised, but he jumped up--he was always

distinguished by the most delicate courtesy--and took Varvara by the

waist, but he slipped down at the first step, and leaving hold of his

partner at once, rolled right under the pedestal on which the parrot's

cage was standing.... The cage fell, the parrot was frightened and

shrieked, 'Present arms!' Every one laughed.... Zlotnitsky appeared at

his study door, looked grimly at us, and slammed the door to. From that

time forth, one had only to allude to this incident before Varvara, and

she would go off into peals of laughter at once, and look at Pasinkov,

as though anything cleverer than his behaviour on that occasion it was

impossible to conceive.

Pasinkov was very fond of music. He used often to beg Sophia to play

him something, and to sit on one side listening, and now and then

humming in a thin voice the most pathetic passages. He was particularly

fond of Schubert's Constellation. He used to declare that when he heard

the air played he could always fancy that with the sounds long rays of

azure light came pouring down from on high, straight upon him. To this

day, whenever I look upon a cloudless sky at night, with the softly

quivering stars, I always recall Schubert's melody and Pasinkov.... An

excursion into the country comes back to my mind. We set out, a whole

party of us, in two hired four-wheel carriages, to Pargolovo. I

remember we took the carriages from the Vladimirsky; they were very

old, and painted blue, with round springs, and a wide box-seat, and

bundles of hay inside; the brown, broken-winded horses that drew us

along at a slow trot were each lame in a different leg. We strolled a

long while about the pinewoods round Pargolovo, drank milk out of

earthenware pitchers, and ate wild strawberries and sugar. The weather

was exquisite. Varvara did not care for long walks: she used soon to

get tired; but this time she did not lag behind us. She took off her

hat, her hair came down, her heavy features lighted up, and her cheeks

were flushed. Meeting two peasant girls in the wood, she sat down

suddenly on the ground, called them to her, did not patronise them, but

made them sit down beside her. Sophia looked at them from some distance

with a cold smile, and did not go up to them. She was walking with

Asanov. Zlotnitsky observed that Varvara was a regular hen for sitting.

Varvara got up and walked away. In the course of the walk she several

times went up to Pasinkov, and said to him, 'Yakov Ivanitch, I want to

tell you something,' but what she wanted to tell him--remained unknown.

But it's high time for me to get back to my story.

* * * * *

I was glad to see Pasinkov; but when I recalled what I had done the day

before, I felt unutterably ashamed, and I hurriedly turned away to the

wall again. After a brief pause, Yakov asked me if I were unwell.

'I'm quite well,' I answered through my teeth; 'only my head aches.'

Yakov made no reply, and took up a book. More than an hour passed by; I

was just coming to the point of confessing everything to Yakov ...

suddenly there was a ring at the outer bell of my flat.

The door on to the stairs was opened.... I listened.... Asanov was

asking my servant if I were at home.

Pasinkov got up; he did not care for Asanov, and telling me in a

whisper that he would go and lie down on my bed, he went into my

bedroom.

A minute later Asanov entered.

From the very sight of his flushed face, from his brief, cool bow, I

guessed that he had not come to me without some set purpose in his

mind. 'What is going to happen?' I wondered.

'Sir,' he began, quickly seating himself in an armchair, 'I have come

to you for you to settle a matter of doubt for me.'

'And that is?'

'That is: I wish to know whether you are an honest man.'

I flew into a rage. 'What's the meaning of that?' I demanded.

'I'll tell you what's the meaning of it,' he retorted, underlining as

it were each word. 'Yesterday I showed you a pocket-book containing

letters from a certain person to me.... To-day you repeated to that

person, with reproach--with reproach, observe--some expressions from

those letters, without having the slightest right to do so. I should

like to know what explanation you can give of this?'

'And I should like to know what right you have to cross-examine me,' I

answered, trembling with fury and inward shame.

'You chose to boast of your uncle, of your correspondence; I'd nothing

to do with it. You've got all your letters all right, haven't you?'

'The letters are all right; but I was yesterday in a condition in which

you could easily----'

'In short, sir,' I began, speaking intentionally as loud as I could, 'I

beg you to leave me alone, do you hear? I don't want to know anything

about it, and I'm not going to give you any explanation. You can go to

that person for explanations!' I felt that my head was beginning to go

round.

Asanov turned upon me a look to which he obviously tried to impart an

air of scornful penetration, pulled his moustaches, and got up slowly.

'I know now what to think,' he observed; 'your face is the best

evidence against you. But I must tell you that that's not the way

honourable people behave.... To read a letter on the sly, and then to

go and worry an honourable girl....'

'Will you go to the devil!' I shouted, stamping, 'and send me a second;

I don't mean to talk to you.'

'Kindly refrain from telling me what to do,' Asanov retorted frigidly;

'but I certainly will send a second to you.'

He went away. I fell on the sofa and hid my face in my hands. Some one

touched me on the shoulder; I moved my hands--before me was standing

Pasinkov.

'What's this? is it true?' ... he asked me. 'You read another man's

letter?'

I had not the strength to answer, but I nodded in assent.

Pasinkov went to the window, and standing with his back to me, said

slowly: 'You read a letter from a girl to Asanov. Who was the girl?'

'Sophia Zlotnitsky,' I answered, as a prisoner on his trial answers the

judge.

For a long while Pasinkov did not utter a word.

'Nothing but passion could to some extent excuse you,' he began at

last. 'Are you in love then with the younger Zlotnitsky?'

'Yes.'

Pasinkov was silent again for a little.

'I thought so. And you went to her to-day and began reproaching

her?...'

'Yes, yes, yes!...' I articulated desperately. 'Now you can despise

me....'

Pasinkov walked a couple of times up and down the room.

'And she loves him?' he queried.

'She loves him....'

Pasinkov looked down, and gazed a long while at the floor without

moving.

'Well, it must be set right,' he began, raising his head,' things can't

be left like this.'

And he took up his hat.

'Where are you going?'

'To Asanov.'

I jumped up from the sofa.

'But I won't let you. Good heavens! how can you! what will he think?'

Pasinkov looked at me.

'Why, do you think it better to keep this folly up, to bring ruin on

yourself, and disgrace on the girl?'

'But what are you going to say to Asanov?'

'I'll try and explain things to him, I'll tell him you beg his

forgiveness ...'

'But I don't want to apologise to him!'

'You don't? Why, aren't you in fault?'

I looked at Pasinkov; the calm and severe, though mournful, expression

of his face impressed me; it was new to me. I made no reply, and sat

down on the sofa.

Pasinkov went out.

In what agonies of suspense I waited for his return! With what cruel

slowness the time lingered by! At last he came back--late.

'Well?' I queried in a timid voice.

'Thank goodness!' he answered; 'it's all settled.'

'You have been at Asanov's?'

'Yes.'

'Well, and he?--made a great to-do, I suppose?' I articulated with an

effort.

'No, I can't say that. I expected more ... He ... he's not such a

vulgar fellow as I thought.'

'Well, and have you seen any one else besides?' I asked, after a brief

pause.

'I've been at the Zlotnitskys'.'

'Ah!...' (My heart began to throb. I did not dare look Pasinkov in the

face.) 'Well, and she?'

'Sophia Nikolaevna is a reasonable, kind-hearted girl.... Yes, she is a

kind-hearted girl. She felt awkward at first, but she was soon at ease.

But our whole conversation only lasted five minutes.'

'And you ... told her everything ... about me ... everything?'

'I told her what was necessary.'

'I shall never be able to go and see them again now!' I pronounced

dejectedly....

'Why? No, you can go occasionally. On the contrary, you are absolutely

bound to go and see them, so that nothing should be thought....'

'Ah, Yakov, you will despise me now!' I cried, hardly keeping back my

tears.

'Me! Despise you? ...' (His affectionate eyes glowed with love.)

'Despise you ... silly fellow! Don't I see how hard it's been for you,

how you're suffering?'

He held out his hand to me; I fell on his neck and broke into sobs.

After a few days, during which I noticed that Pasinkov was in very low

spirits, I made up my mind at last to go to the Zlotnitskys'. What I

felt, as I stepped into their drawing-room, it would be difficult to

convey in words; I remember that I could hardly distinguish the persons

in the room, and my voice failed me. Sophia was no less ill at ease;

she obviously forced herself to address me, but her eyes avoided mine

as mine did hers, and every movement she made, her whole being,

expressed constraint, mingled ... why conceal the truth? with secret

aversion. I tried, as far as possible, to spare her and myself from

such painful sensations. This meeting was happily our last--before her

marriage. A sudden change in my fortunes carried me off to the other

end of Russia, and I bade a long farewell to Petersburg, to the

Zlotnitsky family, and, what was most grievous of all for me, to dear

Yakov Pasinkov.

II

Seven years had passed by. I don't think it necessary to relate all

that happened to me during that period. I moved restlessly about over

Russia, and made my way into the remotest wilds, and thank God I did!

The wilds are not so much to be dreaded as some people suppose, and in

the most hidden places, under the fallen twigs and rotting leaves in

the very heart of the forest, spring up flowers of sweet fragrance.

One day in spring, as I was passing on some official duties through a

small town in one of the outlying provinces of Eastern Russia, through

the dim little window of my coach I saw standing before a shop in the

square a man whose face struck me as exceedingly familiar. I looked

attentively at the man, and to my great delight recognised him as

Elisei, Pasinkov's servant.

I at once told the driver to stop, jumped out of the coach, and went up

to Elisei.

'Hullo, friend!' I began, with difficulty concealing my excitement;

'are you here with your master?'

'Yes, I'm with my master,' he responded slowly, and then suddenly cried

out: 'Why, sir, is it you? I didn't know you.'

'Are you here with Yakov Ivanitch?'

'Yes, sir, with him, to be sure ... whom else would I be with?'

'Take me to him quickly.'

'To be sure! to be sure! This way, please, this way ... we're stopping

here at the tavern.' Elisei led me across the square, incessantly

repeating--'Well, now, won't Yakov Ivanitch be pleased!'

This man, of Kalmuck extraction, and hideous, even savage appearance,

but the kindest-hearted creature and by no means a fool, was

passionately devoted to Pasinkov, and had been his servant for ten

years.

'Is Yakov Ivanitch quite well?' I asked him.

Elisei turned his dusky, yellow little face to me.

'Ah, sir, he's in a poor way ... in a poor way, sir! You won't know his

honour.... He's not long for this world, I'm afraid. That's how it is

we've stopped here, or we had been going on to Odessa for his health.'

'Where do you come from?'

'From Siberia, sir.'

'From Siberia?'

'Yes, sir. Yakov Ivanitch was sent to a post out there. It was there

his honour got his wound.'

'Do you mean to say he went into the military service?'

'Oh no, sir. He served in the civil service.'

'What a strange thing!' I thought.

Meanwhile we had reached the tavern, and Elisei ran on in front to

announce me. During the first years of our separation, Pasinkov and I

had written to each other pretty often, but his last letter had reached

me four years before, and since then I had heard nothing of him.

'Please come up, sir!' Elisei shouted to me from the staircase; 'Yakov

Ivanitch is very anxious to see you.'

I ran hurriedly up the tottering stairs, went into a dark little

room--and my heart sank.... On a narrow bed, under a fur cloak, pale as

a corpse, lay Pasinkov, and he was stretching out to me a bare, wasted

hand. I rushed up to him and embraced him passionately.

'Yasha!' I cried at last; 'what's wrong with you?'

'Nothing,' he answered in a faint voice; 'I'm a bit feeble. What chance

brought you here?'

I sat down on a chair beside Pasinkov's bed, and, never letting his

hands out of my hands, I began gazing into his face. I recognised the

features I loved; the expression of the eyes and the smile were

unchanged; but what a wreck illness had made of him!

He noticed the impression he was making on me.

'It's three days since I shaved,' he observed; 'and, to be sure, I've

not been combed and brushed, but except for that ... I'm not so bad.'

'Tell me, please, Yasha,' I began; 'what's this Elisei's been telling

me ... you were wounded?'

'Ah! yes, it's quite a history,' he replied. 'I'll tell you it later.

Yes, I was wounded, and only fancy what by?--an arrow.'

'An arrow?'

'Yes, an arrow; only not a mythological one, not Cupid's arrow, but a

real arrow of very flexible wood, with a sharply-pointed tip at one

end.... A very unpleasant sensation is produced by such an arrow,

especially when it sticks in one's lungs.'

'But however did it come about? upon my word!...'

'I'll tell you how it happened. You know there always was a great deal

of the absurd in my life. Do you remember my comical correspondence

about getting my passport? Well, I was wounded in an absurd fashion

too. And if you come to think of it, what self-respecting person in our

enlightened century would permit himself to be wounded by an arrow? And

not accidentally--observe--not at sports of any sort, but in a battle.'

'But you still don't tell me ...'

'All right, wait a minute,' he interrupted. 'You know that soon after

you left Petersburg I was transferred to Novgorod. I was a good time at

Novgorod, and I must own I was bored there, though even there I came

across one creature....' (He sighed.) ... 'But no matter about that

now; two years ago I got a capital little berth, some way off, it's

true, in the Irkutsk province, but what of that! It seems as though my

father and I were destined from birth to visit Siberia. A splendid

country, Siberia! Rich, fertile--every one will tell you the same. I

liked it very much there. The natives were put under my rule; they're a

harmless lot of people; but as my ill-luck would have it, they took it

into their heads, a dozen of them, not more, to smuggle in contraband

goods. I was sent to arrest them. Arrest them I did, but one of them,

crazy he must have been, thought fit to defend himself, and treated me

to the arrow.... I almost died of it; however, I got all right again.

Now, here I am going to get completely cured.... The government--God

give them all good health!--have provided the cash.'

Pasinkov let his head fall back on the pillow, exhausted, and ceased

speaking. A faint flush suffused his cheeks. He closed his eyes.

'He can't talk much,' Elisei, who had not left the room, murmured in an

undertone.

A silence followed; nothing was heard but the sick man's painful

breathing.

'But here,' he went on, opening his eyes, 'I've been stopping a

fortnight in this little town.... I caught cold, I suppose. The

district doctor here is attending me--you'll see him; he seems to know

his business. I'm awfully glad it happened so, though, or how should we

have met?' (And he took my hand. His hand, which had just before been

cold as ice, was now burning hot.) 'Tell me something about yourself,'

he began again, throwing the cloak back off his chest. 'You and I

haven't seen each other since God knows when.'

I hastened to carry out his wish, so as not to let him talk, and

started giving an account of myself. He listened to me at first with

great attention, then asked for drink, and then began closing his eyes

again and turning his head restlessly on the pillow. I advised him to

have a little nap, adding that I should not go on further till he was

well again, and that I should establish myself in a room beside him.

'It's very nasty here ...' Pasinkov was beginning, but I stopped his

mouth, and went softly out. Elisei followed me.

'What is it, Elisei? Why, he's dying, isn't he?' I questioned the

faithful servant.

Elisei simply made a gesture with his hand, and turned away.

Having dismissed my driver, and rapidly moved my things into the next

room, I went to see whether Pasinkov was asleep. At the door I ran up

against a tall man, very fat and heavily built. His face, pock-marked

and puffy, expressed laziness--and nothing else; his tiny little eyes

seemed, as it were, glued up, and his lips looked polished, as though

he were just awake.

'Allow me to ask,' I questioned him, 'are you not the doctor?'

The fat man looked at me, seeming with an effort to lift his

overhanging forehead with his eyebrows.

'Yes, sir,' he responded at last.

'Do me the favour, Mr. Doctor, won't you, please, to come this way into

my room? Yakov Ivanitch, is, I believe, now asleep. I am a friend of

his and should like to have a little talk with you about his illness,

which makes me very uneasy.'

'Very good,' answered the doctor, with an expression which seemed to

try and say, 'Why talk so much? I'd have come anyway,' and he followed

me.

'Tell me, please,' I began, as soon as he had dropped into a chair, 'is

my friend's condition serious? What do you think?'

'Yes,' answered the fat man, tranquilly.

'And...is it very serious?'

'Yes, it's serious.'

'So that he may...even die?'

'He may.'

I confess I looked almost with hatred at the fat man.

'Good heavens!' I began; 'we must take some steps, call a consultation,

or something. You know we can't...Mercy on us!'

'A consultation?--quite possible; why not? It's possible. Call in Ivan

Efremitch....'

The doctor spoke with difficulty, and sighed continually. His stomach

heaved perceptibly when he spoke, as it were emphasising each word.

'Who is Ivan Efremitch?'

'The parish doctor.'

'Shouldn't we send to the chief town of the province? What do you

think? There are sure to be good doctors there.'

'Well! you might.'

'And who is considered the best doctor there?'

'The best? There was a doctor Kolrabus there ... only I fancy he's been

transferred somewhere else. Though I must own there's no need really to

send.'

'Why so?'

'Even the best doctor will be of no use to your friend.'

'Why, is he so bad?'

'Yes, he's run down.' 'In what way precisely is he ill?'

'He received a wound.... The lungs were affected in consequence ... and

then he's taken cold too, and fever was set up ... and so on. And

there's no reserve force; a man can't get on, you know yourself, with

no reserve force.'

We were both silent for a while.

'How about trying homoeopathy?...' said the fat man, with a sidelong

glance at me.

'Homoeopathy? Why, you're an allopath, aren't you?'

'What of that? Do you think I don't understand homoeopathy? I

understand it as well as the other! Why, the chemist here among us

treats people homeopathically, and he has no learned degree whatever.'

'Oh,' I thought, 'it's a bad look-out!...'

'No, doctor,' I observed, 'you had better treat him according to your

usual method.'

'As you please.'

The fat man got up and heaved a sigh.

'You are going to him? 'I asked.

'Yes, I must have a look at him.'

And he went out.

I did not follow him; to see him at the bedside of my poor, sick friend

was more than I could stand. I called my man and gave him orders to

drive at once to the chief town of the province, to inquire there for

the best doctor, and to bring him without fail. There was a slight

noise in the passage. I opened the door quickly.

The doctor was already coming out of Pasinkov's room.

'Well?' I questioned him in a whisper.

'It's all right. I have prescribed a mixture.'

'I have decided, doctor, to send to the chief town. I have no doubt of

your skill, but as you're aware, two heads are better than one.'

'Well, that's very praiseworthy!' responded the fat man, and he began

to descend the staircase. He was obviously tired of me.

I went in to Pasinkov.

'Have you seen the local Aesculapius?' he asked.

'Yes,' I answered.

'What I like about him,' remarked Pasinkov, 'is his astounding

composure. A doctor ought to be phlegmatic, oughtn't he? It's so

encouraging for the patient.'

I did not, of course, try to controvert this.

Towards the evening, Pasinkov, contrary to my expectations, seemed

better. He asked Elisei to set the samovar, announced that he was going

to regale me with tea, and drink a small cup himself, and he was

noticeably more cheerful. I tried, though, not to let him talk, and

seeing that he would not be quiet, I asked him if he would like me to

read him something. 'Just as at Winterkeller's--do you remember?' he

answered. 'If you will, I shall be delighted. What shall we read? Look,

there are my books in the window.'...

I went to the window and took up the first book that my hand chanced

upon....

'What is it?' he asked.

'Lermontov.'

'Ah, Lermontov! Excellent! Pushkin is greater, no doubt.... Do you

remember: "Once more the storm-clouds gather close Above me in the

perfect calm" ... or, "For the last time thy image sweet In thought I

dare caress." Ah! marvellous! marvellous! But Lermontov's fine too.

Well, I'll tell you what, dear boy: you take the book, open it by

chance, and read what you find!'

I opened the book, and was disconcerted; I had chanced upon 'The Last

Will.' I tried to turn over the page, but Pasinkov noticed my action

and said hurriedly: 'No, no, no, read what turned up.'

There was no getting out of it; I read 'The Last Will.'

[Footnote: THE LAST WILL

Alone with thee, brother,

I would wish to be;

On earth, so they tell me,

I have not long to stay,

Soon you will go home:

See that ... But nay! for my fate

To speak the truth, no one

Is very greatly troubled.

But if any one asks ...

Well, whoever may ask,

Tell them that through the breast

I was shot by a bullet;

That I died honourably for the Tsar,

That our doctors are not much good,

And that to my native land

I send a humble greeting.

My father and mother, hardly

Will you find living....

I'll own I should be sorry

That they should grieve for me.]

'Splendid thing!' said Pasinkov, directly I had finished the last

verse. 'Splendid thing!

But, it's queer,' he added, after a brief pause, 'it's queer you should

have chanced just on that.... Queer.'

I began to read another poem, but Pasinkov was not listening to me; he

looked away, and twice he repeated again: 'Queer!'

I let the book drop on my knees.

'"There is a girl, their neighbour,"' he whispered, and turning to me

he asked--'I say, do you remember Sophia Zlotnitsky?'

I turned red.

'I should think I did!'

'She was married, I suppose?...'

'To Asanov, long, long ago. I wrote to you about it.'

* * * * *

But if either of them is living,

Say I am lazy about writing,

That our regiment has been sent forward,

And that they must not expect me home.

There is a girl, their neighbour....

As you remember, it's long

Since we parted.... She will not

Ask for me.... All the same,

You tell her all the truth,

Don't spare her empty heart--

Let her weep a little....

It will not hurt her much!

'To be sure, to be sure, so you did. Did her father forgive her in the

end?'

'He forgave her; but he would not receive Asanov.'

'Obstinate old fellow! Well, and are they supposed to be happy?'

'I don't know, really...I fancy they 're happy. They live in the

country, in ---- province. I've never seen them, though I have been

through their parts.'

'And have they any children?'

'I think so.... By the way, Pasinkov?...' I began questioningly.

He glanced at me.

'Confess--do you remember, you were unwilling to answer my question at

the time--did you tell her I cared for her?'

'I told her everything, the whole truth.... I always told her the

truth. To be hypocritical with her would have been a sin!'

Pasinkov was silent for a while.

'Come, tell me,' he began again: 'did you soon get over caring for her,

or not?'

'Not very soon, but I got over it. What's the good of sighing in vain?'

Pasinkov turned over, facing me.

'Well, I, brother,' he began--and his lips were quivering--'am no match

for you there; I've not got over caring for her to this day.'

'What!' I cried in indescribable amazement; 'did you love her?'

'I loved her,' said Pasinkov slowly, and he put both hands behind his

head. 'How I loved her, God only knows. I've never spoken of it to any

one, to any one in the world, and I never meant to ... but there! "On

earth, so they tell me, I have not long to stay." ... What does it

matter?'

Pasinkov's unexpected avowal so utterly astonished me that I could

positively say nothing. I could only wonder, 'Is it possible? how was

it I never suspected it?'

'Yes,' he went on, as though speaking to himself, 'I loved her. I never

ceased to love her even when I knew her heart was Asanov's. But how

bitter it was for me to know that! If she had loved you, I should at

least have rejoiced for you; but Asanov.... How did he make her care

for him? It was just his luck! And change her feelings, cease to care,

she could not! A true heart does not change....'

I recalled Asanov's visit after the fatal dinner, Pasinkov's

intervention, and I could not help flinging up my hands in

astonishment.

'You learnt it all from me, poor fellow!' I cried; 'and you undertook

to go and see her then!'

'Yes,' Pasinkov began again; 'that explanation with her ... I shall

never forget it.' It was then I found out, then I realised the meaning

of the word I had chosen for myself long before: resignation. But still

she has remained my constant dream, my ideal.... And he's to be pitied

who lives without an ideal!'

I looked at Pasinkov; his eyes, fastened, as it were, on the distance,

shone with feverish brilliance.

'I loved her,' he went on, 'I loved her, her, calm, true,

unapproachable, incorruptible; when she went away, I was almost mad

with grief.... Since then I have never cared for any one.'...

And suddenly turning, he pressed his face into the pillow, and began

quietly weeping.

I jumped up, bent over him, and began trying to comfort him....

'It's no matter,' he said, raising his head and shaking back his hair;

'it's nothing; I felt a little bitter, a little sorry ... for myself,

that is.... But it's all no matter. It's all the fault of those verses.

Read me something else, more cheerful.'

I took up Lermontov and began hurriedly turning over the pages; but, as

fate would have it, I kept coming across poems likely to agitate

Pasinkov again. At last I read him 'The Gifts of Terek.'

'Jingling rhetoric!' said my poor friend, with the tone of a preceptor;

'but there are fine passages. Since I saw you, brother, I've tried my

hand at poetry, and began one poem--"The Cup of Life"--but it didn't

come off! It's for us, brother, to appreciate, not to create.... But

I'm rather tired; I'll sleep a little--what do you say? What a splendid

thing sleep is, come to think of it! All our life's a dream, and the

best thing in it is dreaming too.'

'And poetry?' I queried.

'Poetry's a dream too, but a dream of paradise.'

Pasinkov closed his eyes.

I stood for a little while at his bedside. I did not think he would get

to sleep quickly, but soon his breathing became more even and

prolonged. I went away on tiptoe, turned into my own room, and lay down

on the sofa. For a long while I mused on what Pasinkov had told me,

recalled many things, wondered; at last I too fell asleep....

Some one touched me; I started up; before me stood Elisei.

'Come in to my master,' he said.

I got up at once.

'What's the matter with him?'

'He's delirious.'

'Delirious? And hasn't it ever been so before with him?'

'Yes, he was delirious last night, too; only to-day it is something

terrible.'

I went to Pasinkov's room. He was not lying down, but sitting up in

bed, his whole body bent forward. He was slowly gesticulating with his

hands, smiling and talking, talking all the time in a weak, hollow

voice, like the whispering of rushes. His eyes were wandering. The

gloomy light of a night light, set on the floor, and shaded off by a

book, lay, an unmoving patch on the ceiling; Pasinkov's face seemed

paler than ever in the half darkness.

I went up to him, called him by his name--he did not answer. I began

listening to his whispering: he was talking of Siberia, of its forests.

From time to time there was sense in his ravings.

'What trees!' he whispered; 'right up to the sky. What frost on them!

Silver ... snowdrifts.... And here are little tracks ... that's a

hare's leaping, that's a white weasel... No, it's my father running

with my papers. Here he is!... Here he is! Must go; the moon is

shining. Must go, look for my papers.... Ah! A flower, a crimson

flower--there's Sophia.... Oh, the bells are ringing, the frost is

crackling.... Ah, no; it's the stupid bullfinches hopping in the

bushes, whistling.... See, the redthroats! Cold.... Ah! here's

Asanov.... Oh yes, of course, he's a cannon, a copper cannon, and his

gun-carriage is green. That's how it is he's liked. Is it a star has

fallen? No, it's an arrow flying.... Ah, how quickly, and straight into

my heart!... Who shot it? You, Sonitchka?'

He bent his head and began muttering disconnected words. I glanced at

Elisei; he was standing, his hands clasped behind his back, gazing

ruefully at his master.

'Ah, brother, so you've become a practical person, eh?' he asked

suddenly, turning upon me such a clear, such a fully conscious glance,

that I could not help starting and was about to reply, but he went on

at once: 'But I, brother, have not become a practical person, I

haven't, and that's all about it! A dreamer I was born, a dreamer!

Dreaming, dreaming.... What is dreaming? Sobakevitch's peasant--that's

dreaming. Ugh!...'

Almost till morning Pasinkov wandered in delirium; at last he gradually

grew quieter, sank back on the pillow, and dozed off. I went back into

my room. Worn out by the cruel night, I slept soundly.

Elisei again waked me.

'Ah, sir!' he said in a shaking voice, 'I do believe Yakov Ivanitch is

dying....'

I ran in to Pasinkov. He was lying motionless. In the light of the

coming day he looked already a corpse. He recognised me.

'Good-bye,' he whispered; 'greet her for me, I'm dying....'

'Yasha!' I cried; 'nonsense! you are going to live....'

'No, no! I am dying.... Here, take this as a keepsake.' ... (He pointed

to his breast.) ...

'What's this?' he began suddenly; 'look: the sea ... all golden, and

blue isles upon it, marble temples, palm-trees, incense....'

He ceased speaking ... stretched....

Within half an hour he was no more. Elisei flung himself weeping at his

feet. I closed his eyes.

On his neck there was a little silken amulet on a black cord. I took

it.

Three days afterwards he was buried.... One of the noblest hearts was

hidden for ever in the grave. I myself threw the first handful of earth

upon him.

III

Another year and a half passed by. Business obliged me to visit Moscow.

I took up my quarters in one of the good hotels there. One day, as I

was passing along the corridor, I glanced at the black-board with the

list of visitors staying in the hotel, and almost cried out aloud with

astonishment. Opposite the number 12 stood, distinctly written in

chalk, the name, Sophia Nikolaevna Asanova. Of late I had chanced to

hear a good deal that was bad about her husband. I had learned that he

was addicted to drink and to gambling, had ruined himself, and was

generally misconducting himself. His wife was spoken of with

respect.... In some excitement I went back to my room. The passion,

that had long long ago grown cold, began as it were to stir within my

heart, and it throbbed. I resolved to go and see Sophia Nikolaevna.

'Such a long time has passed since the day we parted,' I thought, 'she

has, most likely, forgotten everything there was between us in those

days.'

I sent Elisei, whom I had taken into my service after the death of

Pasinkov, with my visiting-card to her door, and told him to inquire

whether she was at home, and whether I might see her. Elisei quickly

came back and announced that Sophia Nikolaevna was at home and would

see me.

I went at once to Sophia Nikolaevna. When I went in, she was standing

in the middle of the room, taking leave of a tall stout gentleman.

'As you like,' he was saying in a rich, mellow voice; 'he is not a

harmless person, he's a useless person; and every useless person in a

well-ordered society is harmful, harmful, harmful!'

With those words the tall gentleman went out. Sophia Nikolaevna turned

to me.

'How long it is since we met!' she said. 'Sit down, please....'

We sat down. I looked at her.... To see again after long absence the

features of a face once dear, perhaps beloved, to recognise them, and

not recognise them, as though across the old, unforgotten countenance a

new one, like, but strange, were looking out at one; instantaneously,

almost unconsciously, to note the traces time has laid upon it;--all

this is rather melancholy. 'I too must have changed in the same way,'

each is inwardly thinking....

Sophia Nikolaevna did not, however, look much older; though, when I had

seen her last, she was sixteen, and that was nine years ago.

Her features had become still more correct and severe; as of old, they

expressed sincerity of feeling and firmness; but in place of her former

serenity, a sort of secret ache and anxiety could be discerned in them.

Her eyes had grown deeper and darker. She had begun to show a likeness

to her mother....

Sophia Nikolaevna was the first to begin the conversation.

'We are both changed,' she began. 'Where have you been all this time?'

'I've been a rolling stone,' I answered. 'And have you been living in

the country all the while?'

'For the most part I've been in the country. I'm only here now for a

little time.'

'How are your parents?'

'My mother is dead, but my father is still in Petersburg; my brother's

in the service; Varia lives with him.'

'And your husband?'

'My husband,' she said in a rather hurried voice--'he's just now in

South Russia for the horse fairs. He was always very fond of horses,

you know, and he has started stud stables ... and so, on that account

... he's buying horses now.'

At that instant there walked into the room a little girl of eight years

old, with her hair in a pigtail, with a very keen and lively little

face, and large dark grey eyes. On seeing me, she at once drew back her

little foot, dropped a hasty curtsey, and went up to Sophia Nikolaevna.

'This is my little daughter; let me introduce her to you,' said Sophia

Nikolaevna, putting one finger under the little girl's round chin; 'she

would not stop at home--she persuaded me to bring her with me.'

The little girl scanned me with her rapid glance and faintly dropped

her eyelids.

'She is a capital little person,' Sophia Nikolaevna went on: 'there's

nothing she's afraid of. And she's good at her lessons; I must say that

for her.'

'Comment se nomme monsieur?' the little girl asked in an undertone,

bending over to her mother.

Sophia Nikolaevna mentioned my name.

The little girl glanced at me again.

'What is your name?' I asked her.

'My name is Lidia,' answered the little girl, looking me boldly in the

face.

'I expect they spoil you,' I observed.

'Who spoil me?'

'Who? everyone, I expect; your parents to begin with.'

(The little girl looked, without a word, at her mother.) 'I can fancy

Konstantin Alexandritch,' I was going on ...

'Yes, yes,' Sophia Nikolaevna interposed, while her little daughter

kept her attentive eyes fastened upon her; 'my husband, of course--he

is very fond of children....'

A strange expression flitted across Lidia's clever little face. There

was a slight pout about her lips; she hung her head.

'Tell me,' Sophia Nikolaevna added hurriedly; 'you are here on

business, I expect?'

'Yes, I am here on business.... And are you too?'

'Yes.... In my husband's absence, you understand, I'm obliged to look

after business matters.'

'Maman!' Lidia was beginning.

'Quoi, mon enfant?'

'Non--rien.... Je te dirai après.'

Sophia Nikolaevna smiled and shrugged her shoulders.

'Tell me, please,' Sophia Nikolaevna began again; 'do you remember, you

had a friend ... what was his name? he had such a good-natured face ...

he was always reading poetry; such an enthusiastic--'

'Not Pasinkov?'

'Yes, yes, Pasinkov ... where is he now?'

'He is dead.'

'Dead?' repeated Sophia Nikolaevna; 'what a pity!...'

'Have I seen him?' the little girl asked in a hurried whisper.

'No, Lidia, you've never seen him.--What a pity!' repeated Sophia

Nikolaevna.

'You regret him ...' I began; 'what if you had known him, as I knew

him?... But, why did you speak of him, may I ask?'

'Oh, I don't know....' (Sophia Nikolaevna dropped her eyes.) 'Lidia,'

she added; 'run away to your nurse.'

'You'll call me when I may come back?' asked the little girl.

'Yes.'

The little girl went away. Sophia Nikolaevna turned to me.

'Tell me, please, all you know about Pasinkov.' I began telling her his

story. I sketched in brief words the whole life of my friend; tried, as

far as I was able, to give an idea of his soul; described his last

meeting with me and his end.

'And a man like that,' I cried, as I finished my story--'has left us,

unnoticed, almost unappreciated! But that's no great loss. What is the

use of man's appreciation? What pains me, what wounds me, is that such

a man, with such a loving and devoted heart, is dead without having

once known the bliss of love returned, without having awakened interest

in one woman's heart worthy of him!... Such as I may well know nothing

of such happiness; we don't deserve it; but Pasinkov!... And yet

haven't I met thousands of men in my life, who could not compare with

him in any respect, who were loved? Must one believe that some faults

in a man--conceit, for instance, or frivolity--are essential to gain a

woman's devotion? Or does love fear perfection, the perfection possible

on earth, as something strange and terrible?'

Sophia Nikolaevna heard me to the end, without taking her stern,

searching eyes off me, without moving her lips; only her eyebrows

contracted from time to time.

'What makes you suppose,' she observed after a brief silence, 'that no

woman ever loved your friend?'

'Because I know it, know it for a fact.'

Sophia Nikolaevna seemed about to say something, but she stopped. She

seemed to be struggling with herself.

'You are mistaken,' she began at last; 'I know a woman who loved your

dead friend passionately; she loves him and remembers him to this day

... and the news of his death will be a fearful blow for her.'

'Who is this woman? may I know?'

'My sister, Varia.'

'Varvara Nikolaevna!' I cried in amazement.

'Yes.'

'What? Varvara Nikolaevna?' I repeated, 'that...'

'I will finish your sentence,' Sophia Nikolaevna took me up; 'that girl

you thought so cold, so listless and indifferent, loved your friend;

that is why she has never married and never will marry. Till this day

no one has known of this but me; Varia would die before she would

betray her secret. In our family we know how to suffer in silence.'

I looked long and intently at Sophia Nikolaevna, involuntarily

pondering on the bitter significance of her last words.

'You have surprised me,' I observed at last. 'But do you know, Sophia

Nikolaevna, if I were not afraid of recalling disagreeable memories, I

might surprise you too....'

'I don't understand you,' she rejoined slowly, and with some

embarrassment.

'You certainly don't understand me,' I said, hastily getting up; 'and

so allow me, instead of verbal explanation, to send you something ...'

'But what is it?' she inquired.

'Don't be alarmed, Sophia Nikolaevna, it's nothing to do with me.'

I bowed, and went back to my room, took out the little silken bag I had

taken off Pasinkov, and sent it to Sophia Nikolaevna with the following

note--

'This my friend wore always on his breast and died with it on him. In

it is the only note you ever wrote him, quite insignificant in its

contents; you can read it. He wore it because he loved you

passionately; he confessed it to me only the day before his death. Now,

when he is dead, why should you not know that his heart too was yours?'

Elisei returned quickly and brought me back the relic.

'Well?' I queried; 'didn't she send any message?'

'No.'

I was silent for a little.

'Did she read my note?'

'No doubt she did; the maid took it to her.'

'Unapproachable,' I thought, remembering Pasinkov's last words. 'All

right, you can go,' I said aloud.

Elisei smiled somewhat queerly and did not go.

'There's a girl ...' he began, 'here to see you.'

'What girl?'

Elisei hesitated.

'Didn't my master say anything to you?'

'No.... What is it?'

'When my master was in Novgorod,' he went on, fingering the door-post,

'he made acquaintance, so to say, with a girl. So here is this girl,

wants to see you. I met her the other day in the street. I said to her,

"Come along; if the master allows it, I'll let you see him."

'Ask her in, ask her in, of course. But ... what is she like?'

'An ordinary girl...working class...Russian.'

'Did Yakov Ivanitch care for her?'

'Well, yes ... he was fond of her. And she...when she heard my master

was dead, she was terribly upset. She's a good sort of girl.'

'Ask her in, ask her in.'

Elisei went out and at once came back. He was followed by a girl in a

striped cotton gown, with a dark kerchief on her head, that half hid

her face. On seeing me, she was much taken aback and turned away.

'What's the matter?' Elisei said to her; 'go on, don't be afraid.'

I went up to her and took her by the hand.

'What is your name?' I asked her.

'Masha,' she replied in a soft voice, stealing a glance at me.

She looked about two- or three-and-twenty; she had a round, rather

simple-looking, but pleasant face, soft cheeks, mild blue eyes, and

very pretty and clean little hands. She was tidily dressed.

'You knew Yakov Ivanitch?' I pursued.

'I used to know him,' she said, tugging at the ends of her kerchief,

and the tears stood in her eyes.

I asked her to sit down.

She sat down at once on the edge of a chair, without any affectation of

ceremony. Elisei went out.

'You became acquainted with him in Novgorod?'

'Yes, in Novgorod,' she answered, clasping her hands under her

kerchief. 'I only heard the day before yesterday, from Elisei

Timofeitch, of his death. Yakov Ivanitch, when he went away to Siberia,

promised to write to me, and twice he did write, and then he wrote no

more. I would have followed him out to Siberia, but he didn't wish it.'

'Have you relations in Novgorod?'

'Yes.'

'Did you live with them?'

'I used to live with mother and my married sister; but afterwards

mother was cross with me, and my sister was crowded up, too; she has a

lot of children: and so I moved. I always rested my hopes on Yakov

Ivanitch, and longed for nothing but to see him, and he was always good

to me--you can ask Elisei Timofeitch.'

Masha paused.

'I have his letters,' she went on. 'Here, look.' She took several

letters out of her pocket, and handed them to me. 'Read them,' she

added.

I opened one letter and recognised Pasinkov's hand.

'Dear Masha!' (he wrote in large, distinct letters) 'you leaned your

little head against my head yesterday, and when I asked why you do so,

you told me--"I want to hear what you are thinking." I'll tell you what

I was thinking; I was thinking how nice it would be for Masha to learn

to read and write! She could make out this letter ...'

Masha glanced at the letter.

'That he wrote me in Novgorod,' she observed, 'when he was just going

to teach me to read. Look at the others. There's one from Siberia.

Here, read this.'

I read the letters. They were very affectionate, even tender. In one of

them, the first one from Siberia, Pasinkov called Masha his best

friend, promised to send her the money for the journey to Siberia, and

ended with the following words--'I kiss your pretty little hands; the

girls here have not hands like yours; and their heads are no match for

yours, nor their hearts either.... Read the books I gave you, and think

of me, and I'll not forget you. You are the only, only girl that ever

cared for me; and so I want to belong only to you....'

'I see he was very much attached to you,' I said, giving the letters

back to her.

'He was very fond of me,' replied Masha, putting the letters carefully

into her pocket, and the tears flowed slowly down her cheeks. 'I always

trusted in him; if the Lord had vouchsafed him long life, he would not

have abandoned me. God grant him His heavenly peace!'...

She wiped her eyes with a corner of her kerchief.

'Where are you living now?' I inquired.

'I'm here now, in Moscow; I came here with my mistress, but now I'm out

of a place. I did go to Yakov Ivanitch's aunt, but she is very poor

herself. Yakov Ivanitch used often to talk of you,' she added, getting

up and bowing; 'he always loved you and thought of you. I met Elisei

Timofeitch the day before yesterday, and wondered whether you wouldn't

be willing to assist me, as I'm out of a place just now....'

'With the greatest pleasure, Maria ... let me ask, what's your name

from your father?'

'Petrovna,' answered Masha, and she cast down her eyes.

'I will do anything for you I can, Maria Petrovna,' I continued; 'I am

only sorry that I am a visitor here, and know few good families.'

Masha sighed.

'If I could get a situation of some sort ... I can't cut out, but I can

sew, so I'm always doing sewing ... and I can look after children too.'

'Give her money,' I thought; 'but how's one to do it?'

'Listen, Maria Petrovna,' I began, not without faltering; 'you must,

please, excuse me, but you know from Pasinkov's own words what a friend

of his I was ... won't you allow me to offer you--for the immediate

present--a small sum?' ...

Masha glanced at me.

'What?' she asked.

'Aren't you in want of money?' I said.

Masha flushed all over and hung her head.

'What do I want with money?' she murmured; 'better get me a situation.'

'I will try to get you a situation, but I can't answer for it for

certain; but you ought not to make any scruple, really ... I'm not like

a stranger to you, you know.... Accept this from me, in memory of our

friend....'

I turned away, hurriedly pulled a few notes out of my pocket-book, and

handed them to her.

Masha was standing motionless, her head still more downcast.

'Take it,' I persisted.

She slowly raised her eyes to me, looked me in the face mournfully,

slowly drew her pale hand from under her kerchief and held it out to

me.

I laid the notes in her cold fingers. Without a word, she hid the hand

again under her kerchief, and dropped her eyes.

'In future, Maria Petrovna,' I resumed, 'if you should be in want of

anything, please apply directly to me. I will give you my address.'

'I humbly thank you,' she said, and after a short pause she added: 'He

did not speak to you of me?'

'I only met him the day before his death, Maria Petrovna. But I'm not

sure ... I believe he did say something.'

Masha passed her hand over her hair, pressed her cheek lightly, thought

a moment, and saying 'Good-bye,' walked out of the room.

I sat at the table and fell into bitter musings. This Masha, her

relations with Pasinkov, his letters, the hidden love of Sophia

Nikolaevna's sister for him.... 'Poor fellow! poor fellow!' I

whispered, with a catching in my breath. I thought of all Pasinkov's

life, his childhood, his youth, Fräulein Frederike.... 'Well,' I

thought, 'much fate gave to thee! much cause for joy!'

Next day I went again to see Sophia Nikolaevna. I was kept waiting in

the ante-room, and when I entered, Lidia was already seated by her

mother. I understood that Sophia Nikolaevna did not wish to renew the

conversation of the previous day.

We began to talk--I really don't remember what about--about the news of

the town, public affairs.... Lidia often put in her little word, and

looked slily at me. An amusing air of importance had suddenly become

apparent on her mobile little visage.... The clever little girl must

have guessed that her mother had intentionally stationed her at her

side.

I got up and began taking leave. Sophia Nikolaevna conducted me to the

door.

'I made you no answer yesterday,' she said, standing still in the

doorway; 'and, indeed, what answer was there to make? Our life is not

in our own hands; but we all have one anchor, from which one can never,

without one's own will, be torn--a sense of duty.'

Without a word I bowed my head in sign of assent, and parted from the

youthful Puritan.

All that evening I stayed at home, but I did not think of her; I kept

thinking and thinking of my dear, never-to-be-forgotten Pasinkov--the

last of the idealists; and emotions, mournful and tender, pierced with

sweet anguish into my soul, rousing echoes on the strings of a heart

not yet quite grown old.... Peace to your ashes, unpractical man,

simple-hearted idealist! and God grant to all practical men--to whom

you were always incomprehensible, and who, perhaps, will laugh even now

over you in the grave--God grant to them to experience even a hundredth

part of those pure delights in which, in spite of fate and men, your

poor and unambitious life was so rich!