Pomegranate Flower / Sax Rohmer

I

THERE are not so many Antereeyeh (story-tellers) in Cairo now (said my acquaintance, Hassan of the Scent Bazaar, staring, reflectively, at two American ladies paying fabulous prices for the goods of his mendacious neighbor on the left). They have adopted other, and more lucrative, professions; but in my father’s time, it was an excellent business.

In the Valley of the Sorceress / Sax Rohmer

I

CONDOR wrote to me three times before the end (said Neville, Assistant-Inspector of Antiquities, staring vaguely from his open window at a squad drilling before the Kasr-en-Nîl Barracks). He dated his letters from the camp at Deir-el-Bahari. Judging from these, success appeared to be almost within his grasp. He shared my theories, of course, respecting Queen Hatasu, and was devoting the whole of his energies to the task of clearing up the great mystery of Ancient Egypt which centres around that queen.

Harun Pasha / Sax Rohmer

I

I WILL tell you this story (said Ferrier of the Egyptian Civil) with one reservation; comments are to be reserved for some future time. I can only tell you what I saw with my own eyes and heard with my own ears; I offer no explanation; I pass on the story; you can take it or leave it.

Some of you will remember Dunlap—I don’t mean Robert Dunlap, who is chief officer of the Pekin, but Jack Dunlap his cousin, the irrigation man who used to be stationed at Assuan.

The Secret of Ismail / Sax Rohmer

I

MUSTAPHA MIRZA knew it—Mustapha Mirza, the blind Persian who makes shoes hard by the Bâb ez-Zuwêla and in the very shadow of the minarets of Muayyâd; Hassan es-Sîwa of the Street of the Carpet-sellers in the Mûski, Hassan, who, where another man has hands, has but hideous stumps, knew it, and because of him it was that Abdûl Moharli sought it—Abdûl the mendicant who crouches on the steps of the Blue Mosque muttering, guttural, inarticulate, and pointing to the tongueless cavity of his mouth. Now I know it; but not from Abdûl Moharli: may Allah, the Great, the Compassionate, defend me!

Lord of the Jackals / Sax Rohmer

IN those days, of course (said the French agent, looking out across the sea of Yûssuf Effendis which billowed up against the balcony to where, in the moonlight, the minarets of Cairo pointed the way to God), I did not occupy the position which I occupy to-day. No, I was younger, and more ambitious; I thought to carve in the annals of Egypt a name for myself such as that of De Lesseps.

The Whispering Mummy / Sax Rohmer

I

FELIX BRÉTON and I were the only occupants of the raised platform at the end of the hall; and the inartistic performance of the bulky dancer who occupied the stage promised to be interminable. From motives of sheer boredom I studied the details of her dress—a white dress, fitting like a vest from shoulder to hip, and having short, full sleeves under which was a sort of blue gauze. Her hair, wrists, and ankles glittered with barbaric jewelery and strings of little coins.

Breath of Allah / Sax Rohmer

I

FOR close upon a week I had been haunting the purlieus of the Mûski, attired as a respectable dragoman, my face and hands reduced to a deeper shade of brown by means of a water-color paint (I had to use something that could be washed off and grease-paint is useless for purposes of actual disguise) and a neat black moustache fixed to my lip with spirit-gum. In his story Beyond the Pale, Rudyard Kipling has trounced the man who inquires too deeply into native life; but if everybody thought with Kipling we should never have had a Lane or a Burton and I should have continued in unbroken scepticism regarding the reality of magic. Whereas, because of the matters which I am about to set forth, for ten minutes of my life I found myself a trembling slave of the unknown.

Omar of Ispahan / Sax Rohmer

I

“I HEAR that the Harêm Suite is occupied,” said Sir Bertram Collis, bustling up to me as I sat smoking in the gardens of a certain Cairo hotel, which I shall not name because of the matters that befell there. “Daphne is full of curiosity respecting the romantic occupant.”

The Lady of the Lattice / Sax Rohmer

I

THE interior of the room was very dark, but with the aid of the electric torch which I carried I was enabled to form a fairly good impression of its general character, and having now surveyed the entire house I had concluded that it might possibly serve my purpose. The real ownership of many native houses in Cairo is difficult to establish, and the unveracious Egyptian from whom I had procured the keys may or may not have been entitled to let the premises. However, he had the keys; and that in the Near East is a sufficient evidence of ownership. My viewing the place at night was dictated by motives of prudence; for I did not propose unduly to impress my personality upon the inhabitants of the Darb el-Ahmar.

The Death-Ring of Sneferu / Sax Rohmer

I

THE orchestra had just ceased playing; and, taking advantage of the lull in the music, my companion leaned confidentially forward, shooting suspicious glances all around him, although there was nothing about the well-dressed after-dinner throng filling Shepheard’s that night to have aroused misgiving in the mind of a cinema anarchist.

The Curse of a Thousand Kisses / Sax Rohmer

Introductory

Saville Grainger will long be remembered by the public as a brilliant journalist and by his friends as a confirmed misogynist. His distaste for the society of women amounted to a mania, and to Grainger a pretty face was like a red rag to a bull. This was all the more extraordinary and, for Grainger, more painful, because he was one of the most handsome men I ever knew—very dark, with wonderful flashing eyes and the features of an early Roman—or, as I have since thought, of an aristocratic Oriental; aquiline, clean-cut, and swarthy. At any mixed gathering at which he appeared, women gravitated in his direction as though he possessed some magnetic attraction for the sex; and Grainger invariably bolted.

The Master of Hollow Grange / Sax Rohmer

I

Jack Dillon came to Hollow Grange on a thunderous black evening when an ebony cloud crested the hill-top above, and, catching the upflung rays of sunset, glowed redly like the pall of Avalon in the torchlight. Through the dense ranks of firs cloaking the slopes a breeze, presaging the coming storm, whispered evilly, and here in the hollow the birds were still.

The Riddle of Ragstaff / Sax Rohmer

I

“Well, Harry, my boy, and what’s the latest news from Venice?”

Harry Lorian stretched his long legs and lay back in his chair.

“I had a letter from the governor this morning, Colonel. He appears to be filling his portfolio with studies of windows and doorways and stair-rails and the other domestic necessities dear to his architectural soul!”

The Blue Monkey / Sax Rohmer

I

A tropically hot day had been followed by a stuffy and oppressive evening. In the tiny sitting-room of our tiny cottage, my friend—who, for the purposes of this story, I shall call Mr. East—by the light of a vapour lamp was busily arranging a number of botanical specimens collected that morning. His briar fumed furiously between his teeth, and, his grim, tanned face lowered over his work, he brought to bear upon this self-imposed task all the intense nervous energy which was his.

The Valley of the Just / Sax Rohmer

A Story of the Shan Hills

I

The merciless sun beat down upon the little caravan, winding its way upward and ever upward to the hill-land. Beneath stretched a panorama limned in feverish greens and unhealthy yellows; scarlike rocks striated the jungle, clothing the foothills, and through the dancing air, viewed from the arid heights, they had the appearance of running water. Swamps to the south-east showed like unhealing wounds upon the face of the landscape; beyond them spread the muddy river waters, the bank of the stream proper being discernible only by reason of a greater greenness in the palm-tops: venomous green slopes beyond them again, a fringe of dwarfed forest, and the brazen skyline.

The Haunting of Low Fennel / Sax Rohmer

I

“There’s Low Fennel,” said Major Dale.

We pulled up short on the brow of the hill. Before me lay a little valley carpeted with heather, purple slopes hemming it in. A group of four tall firs guarded the house, which was couched in the hollow of the dip—a low, rambling building, in parts showing evidence of great age and in other parts of the modern improver.

The Turquoise Necklace / Sax Rohmer

I

“He is the lord of the desert, Effendi,” declared Mohammed the dragoman. “From the Valley of Zered to Damascus he is known and loved, but feared. They say”—he lowered his voice—“that he is a great welee, and that he is often seen in the street of the attars, having the appearance of a simple old man; but in the desert he is like a bitter apple, a viper and a calamity! Overlord is he of the Bedouins, and all the sons of the desert bow to Ben Azreem, Sheikh of the Ibn-Rawallah.”

The Yashmak of Pearls / Sax Rohmer

I.

THE duhr, or noonday call to prayer, had just sounded from the minarets of the Mosques of Kalaûn and En-Nasîr, and I was idly noting the negligible effect of the adan upon the occupants of the neighboring shops—coppersmiths for the most part—when suddenly my errant attention became arrested.